LONDON Bronze Sculpture: Berlioz, Les Troyens - Charles Dutoit - Never Displayed

Description

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Background -
London Records (Decca) has a long history in the music business - just read the history below! To celebrate the issue of Belioz's famous opera "Les Troyens" conducted by Charles Dutoit and the Montreal Symphony, a few bronze sculptures were issued by London and given out to company executives. We acquired this sculpture from a former label exec and now offer it here for your consideration. The item has never been displayed. It has been kept in it's original blue box (which comes with the sculpture). A terrific classical music collectible!
LONDON (Decca) History -
London Recordings (or London Records and London Music Stream) is a British record label that marketed records in the United States, Canada, and Latin America for Decca Records from 1947 to 1980 before becoming semi-independent. The London name — as London American Recordings, often shortened to London American — was also used by British Decca in the UK market, for releases taken from American labels, which British Decca licensed.
The label is owned by Because Music, which also owned most of the post-1980 and post-1998 catalogues.
London arose from the split in ownership between the British and American branches of Decca Records. The American branch of London Records released British Decca records in the U.S., as British Decca could not use the "Decca" name there. The label was noted for classical albums made in then state-of-the-art stereophonic sound, and such artists as Georg Solti, Joan Sutherland and Luciano Pavarotti.
The London name was also used by British Decca in the UK market for releases taken from American labels which British Decca licensed, such as Imperial, Chess, Dot, Atlantic, Specialty, Essex and Sun, and the first two UK releases from Motown. By the 1960s more licensing deals had been made with Big Top, Monument, Parrot, Philles, and Hi, and subsidiary labels were London Atlantic, London Dot and London Monument (the last featuring Roy Orbison, who remained with London in the UK even after he signed for MGM Records in the U.S.).
An unusual feature was the letter code in the numbering system. From the late 1950s until 1973, the label bore the logo "London American Recordings", and on Radio Luxembourg it was known as "London American”.
In America, the label was best known as the American imprint of the pre–1971 recordings of the Rolling Stones (now owned by ABKCO). The label also originally issued some early LPs and singles by Texas-based band ZZ Top (whose catalog went to Warner Bros. Records when the band signed with that label).
In the 1960s and 1970s London Records got involved in then innovative quadraphonic sound techniques and launched vinyl LPs within their "Phase 4" series of immersive, spatialized sound which, along with their "FFRR - Full Frequency Range Recording" series and appellation, gained them a well earned reputation on their sound quality.
In the late 1970s, London signed deals with Bomp! Records and with Big Sound in Connecticut, U.S. This changed the label in the eyes of many from a backwater into something a little more "edgy" compared to the pedestrian contemporary releases from parent company Decca. The label was staffed by Graham Baker, Keith Gooden, Mike Horsham and Liz Roff at that time. Decca's Geoff Milne was in overall control.
The president of London Records in the 1970s was D. H. Tollerbond.
After British Decca was acquired by PolyGram in 1980, London followed a more independent course with subsidiary labels such as Slash, Pete Tong's Essential Records and FFRR (London's dance music label, named after part of London's logo design).
In the 1990s, London signed Madchester indie band The High and ended up being fined £50,000 by the BPI in 1991, for suspected chart hyping in the UK Singles chart in regards to this band, with the suspicion that their chart position may have been bought by the record company and not due to fans purchasing their record, "More".
MCA, the owner of American Decca, merged with PolyGram in 1999, which formed Universal Music; however, by this time, London Records had become a semi-independent label within the PolyGram group operated by Roger Ames. In the 1990s, Tracy Bennet became President and Colin Bell, Managing Director. When Ames moved to the Warner Music Group, he took the label with him, and so almost all of London's recent back catalogue was acquired by Warner, which also acquired the London name and trademark from Decca (which still owns most of the pre-1980 back catalogue). The name is still used, mainly for UK-based artists, and for ex-Factory Records artists. Notable artists released by that incarnation of London, called London Records 90, include New Order (initially on their own CentreDate Co. Ltd label), Happy Mondays, A, and Shakespears Sister.
After PolyGram took over British Decca, classical-music albums recorded by British Decca continued to be released on the London label in the U.S., with a logo similar to the Decca classical label logo, until American Decca owner MCA merged with British Decca owner PolyGram in 1999 and formed Universal Music, after which they were all reissued on the original British Decca label in the US.
The London pop music catalogue owned by Universal Music is now managed by Polydor Records, with United States distribution handled by Island Records after absorbing former distributor Mercury Records in 2014. Decca Records had a recording studio in Blomfield Road, West London; there may have been another in London's West End. In 2010, Universal Music reclaimed ownership of the London Records trademark. Even Universal Music again owned this trademark, Warner Music Group licensed it to be used on its reissues of London's catalogue controlled by Warner Records 90 company. On 1 July 2011 Universal Music reclaimed the London Records name and relaunched it under the executive team of Nick Raphael (president) and later Jo Charrington (senior vice president of A&R) who together previously ran Epic Records for Sony Music Entertainment since 2001. Both had started their careers at London Records in the Ames era in the 1990s.
When Nick Raphael became president of Capitol Records's UK division in 2013, London Records moved there, and operated as a sublabel until Because Music acquired the trademark license in 2017.
In July 2017, Because Music announced that it would acquire Warner Records 90, a subsidiary of Warner Music UK that reissued most London Records artists from the post-1980 era, plus very few titles from the post-1998 era, when Warner Music owned the label. Because completed the deal in August 2017, which includes the rights to over fifty London artists (including Bananarama and Happy Mondays), but excluding Slash Records, All Saints, New Order, and the FFRR (Full Frequency Range Recordings) brand (which became part of WMG's Parlophone label). Because is distributed by another UMG division Virgin Music Label & Artist Services, formerly Caroline Distribution.
Warner Records 90 was renamed London Music Stream, and later London Recordings.
Condition -
This bronze (?) sculpture is in MINT, as NEW condition as it has never been displayed, just kept in storage in it's original blue box. It is pretty much in mint overall shape. There are no scratches or storage marks on the sculpture. The item comes in a large cardboard outer case (as you can see in the pictures with this listing).
The sculpture is 6.5" tall by 4.5" wide and weighs 25 ounces (just the item, without the packaging) - a superb music collectible.
The pen measures approximately 140mm long - everything is original to the pen, as it was produced and released by Parker for Archiv.
Do not let this rarity slip by!